Farewell to George Romero

It was with great sadness that I learned of the death of George Romero. Although he has been lauded as the master of the modern zombie genre, his signature film Night of the Living Dead was also an important social commentary on the racial divide in the United States, and it is for this that I will always remember him. As a Hollywood source describes it:

Night of the Living Dead arrived at a time when American idealism was starting to sour. The momentum of post-war progress and the hope of early 60s counterculture had all but evaporated in the year of the Watts riots and assassinations of Martin Luther King Jr. and Bobby Kennedy. The film was a potent piece of speculative satire: a low-budget, tightly scripted horror film that posited as its protagonist a young black professional (played by Duane Jones) who struggles to navigate the neuroses and hysteria of his white counterparts while fending off an undead horde. The film's closing moments, in which Jones is 'mistakenly' shot by the police cleanup crew, remain one of the most stinging incidences of irony in cinematic history.

In fact, Romero had been asked to write an episode for the television series The Walking Dead, but declined, saying that the show was more soap opera than social commentary.

Mr. Romero made a guest appearance at the Ottawa ComicCon this past May, much to the delight of my son Tim, who has all of his movies and admired him greatly. My son was able to meet him and because it was nearing the end of the convention and not overly busy, Mr. Romero took the time to talk to Tim and even have a picture taken (without charge) of the two of them. Tim had ordered, through eBay, foreign movie posters of the Living Dead franchise. He took them with him to ComicCon to get autographed. Mr. Romero was delighted to view the posters, which he had not seen before. He was a kind man who made an indelible impression on my son.

The light of the horror world is dimmed greatly by his passing.

RIP George Romero: 1940-2017

The Walking Dead: Soap Opera or Social Commentary?

Fans of George Romero's Night of the Living Dead and subsequent films, which owe a huge debt to Richard Matheson's I Am Legend, will recognize his influence on subsequent "zombie" films and specifically on the hit television series The Walking Dead. Like millions of others, I am a fan of the series, and I was surprised to read that Romero regards The Walking Dead as a "soap opera" and declined to become involved in its production. Romero indicates that his zombies were always used for satirical purposes or political criticism, and he sees this missing from the current series.

While I agree that there is an element of soap opera to the series in that viewers get hooked on what's coming next, I think the series is much more than that. For example, I compare the Rick of old, who apologizes to a crawling and mutilated zombie for what has happened to it and kills it as if wanting to end its misery (Season 1, Episode 1, "Days Gone Bye"), to the current Rick, who twice drives away and ignores the pleas of a hitchhiker for refuge and then stops to pick up his backpack after he has been destroyed by walkers (Season 3, Episode 12, "Clear"). I think the series is quite cynical in  regard to its depiction of humanity's capacity to become desensitized to violence in its efforts to survive. (In fact, the most recent episode in which Carol becomes an outcast because she has killed two members of the community  is entitled "Indifference".)

For the text of the article on Romero, please click here.

For an interesting article on Melissa McBride, who plays Carol, please click here.