The following is an excerpt from The Daily Beast which describes the film:
From th[e] opening salvo alone, it’s apparent that something is terribly amiss here, and that only becomes clearer when an unknown young girl (Maggie Mulubwa), wearing an out-of-place T-shirt emblazoned with the message “#bootycall,” is spotted by a woman carrying water, and promptly brought to authorities and accused of being a witch. The reason for this charge? As one adult tells the less-than-convinced female cop on duty, things haven’t been right in the area since she arrived. Then another man steps up and says that the girl chopped off his arm, only to confess that he just dreamed this took place (which is still proof, apparently!). No matter the silliness of such allegations, the girl’s refusal to admit or deny that she’s a black-magic woman—instead, she faces this madness with staunch silence—convinces regional government official Mr. Banda (Henry B.J. Phiri) that the 9-year-old is, in fact, a witch.
Thus the kid is sent to live at a camp, where one elder gives her the name “Shula,” which in Zambian means “uprooted.” No sooner has Shula been welcomed into the community and given customary tribal scars on her face—as well as informed that cutting her ribbon will turn her into a goat—then she’s whisked away by Banda to a municipal trial held at a dusty outdoor 'court.' There . . . Shula is asked to use her otherworldly powers to determine which of the suspects has committed theft. Given that ... she’s not actually a witch, she defers to her elders, who via cell phone give her loads of nonsensical advice. (Choose the nervous looking one! Or the one looking up! Or the one looking down! Or the one who’s darkest!) Yet when she randomly fingers one man, and he shortly thereafter turns out to be the culprit, her credentials are firmly established.
All is not well with Shula, however, as I Am Not a Witch movingly elucidates. A prisoner of a system that demonizes women, segregates them from the rest of the population, and then has them toil on gigantic farms—all when they’re not presiding over criminal trials or trying to bring much-needed rain to the arid countryside—Shula is an innocent victim. And an isolated one too, given that she’s decades younger than her compatriots. . . .
Intrigued?
For the trailer, please click here.
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