Markets and Writing Tips for Horror Writers

If you're an author looking for an audience, there is some very useful information on the Horror Writers Association (HWA) website on the marketing of horror material, as well how to prepare your submission. The HWA recommends markets that pay five cents per word or more.

There are also extensive links to writing tips.

This information is available to all horror writers, not just HWA members.

For market information, please click here.
 
For writing tips, please click here.

Best of luck with your submissions!

Bram Stoker Award® Nominees

The Horror Writers Association has released a list of nominees for this year’s Bram Stoker Awards® to highlight the best of horror fiction for 2015. The nominees are as follows:

Superior Achievement in a Novel

• Clive Barker – The Scarlet Gospels (St. Martin’s Press)
• Michaelbrent Collings – The Deep (self-published)
• JG Faherty – The Cure (Samhain Publishing)
• Patrick Freivald – Black Tide (JournalStone Publishing)
• Paul Tremblay – A Head Full of Ghosts (William Morrow)

Superior Achievement in a First Novel

• Courtney Alameda – Shutter (Feiwel & Friends)
• Nicole Cushing – Mr. Suicide (Word Horde)
• Brian Kirk – We Are Monsters (Samhain Publishing)
• John McIlveen – Hannahwhere (Crossroad Press)
• John Claude Smith – Riding the Centipede (Omnium Gatherum)

Superior Achievement in a Young Adult Novel

• Jennifer Brozek – Never Let Me Sleep (Permuted Press)
• Michaelbrent Collings – The Ridealong (self-published)
• John Dixon – Devil’s Pocket (Simon & Schuster)
• Tonya Hurley – Hallowed (Simon & Schuster)
• Maureen Johnson – The Shadow Cabinet (Penguin)
• Ian Welke – End Times at Ridgemont High (Omnium Gatherum)

Superior Achievement in a Graphic Novel

• Cullen Bunn – Harrow County, Vol. 1: Countless Haints (Dark Horse Comics)
• Victor Gischler – Hellbound (Dark Horse Books)
• Robert Kirkman – Outcast, Vol. 1: A Darkness Surrounds Him (Image Comics)
• Scott Snyder – Wytches, Vol. 1 (Image Comics)
• Sam Weller, Mort Castle, Chris Ryall, & Carlos Guzman (editors) – Shadow Show: Stories in Celebration of Ray Bradbury (IDW Publishing)

Superior Achievement in Long Fiction

• Gary A. Braunbeck – "Paper Cuts" (Seize the Night) (Gallery Books)
• Lisa Mannetti – "The Box Jumper" (Smart Rhino Publications)
• Norman Partridge – "Special Collections" (The Library of the Dead) (Written Backwards)
• Mercedes M. Yardley – "Little Dead Red" (Grimm Mistresses) (Ragnarok Publications)
• Scott Edelman – "Becoming Invisible, Becoming Seen" (Dark Discoveries #30)

Superior Achievement in Short Fiction

• Kate Jonez – All the Day You’ll Have Good Luck (Black Static #47)
• Gene O’Neill – The Algernon Effect (White Noise Press)
• John Palisano – Happy Joe’s Rest Stop (18 Wheels of Horror) (Big Time Books)
• Damien Angelica Walters – Sing Me Your Scars (Sing Me Your Scars) (Apex Publications)
• Alyssa Wong – Hungry Daughters of Starving Mothers (Nightmare Magazine #37)

Superior Achievement in a Screenplay

• Guillermo del Toro & Matthew Robbins – Crimson Peak (Legendary Pictures)
• John Logan – Penny Dreadful: And Hell Itself My Only Foe (Showtime)
• John Logan – Penny Dreadful: Nightcomers (Showtime)
• David Robert Mitchell – It Follows (Northern Lights Films)
• Taika Waititi & Jemaine Clement – What We Do in the Shadows (Unison Films)

Superior Achievement in an Anthology

• Michael Bailey – The Library of the Dead (Written Backwards)
• Ellen Datlow – The Doll Collection: Seventeen Brand-New Tales of Dolls (Tor Books)
• Christopher Golden – Seize the Night (Gallery Books)
• Nancy Kilpatrick and Caro Soles – nEvermore! (Edge Science Fiction and Fantasy Publishing)
• Jonathan Maberry – The X-Files: Trust No One (IDW Publishing)
• Joseph Nassise and Del Howison – Midian Unmade (Tor Books)

Superior Achievement in a Fiction Collection

• Gary A. Braunbeck – Halfway Down the Stairs (JournalStone Publishing)
• Nicole Cushing – The Mirrors (Cycatrix Press)
• Taylor Grant – The Dark at the End of the Tunnel (Cemetery Dance Publications)
• Gene O’Neill – The Hitchhiking Effect (Dark Renaissance Books)
• Lucy A. Snyder – While the Black Stars Burn (Raw Dog Screaming Press)

Superior Achievement in Non-Fiction

• Justin Everett and Jeffrey H. Shanks (ed.) – The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror (Rowman & Littlefield Publishers)
• Stephen Jones – The Art of Horror (Applause Theatre & Cinema Books)
• Michael Knost – Author’s Guide to Marketing with Teeth (Seventh Star Press)
• Joe Mynhardt & Emma Audsley (editors) – Horror 201: The Silver Scream (Crystal Lake Publishing)
• Danel Olson – Studies in the Horror Film: Stanley Kubrick’s The Shining (Centipede Press)

Superior Achievement in a Poetry Collection

• Bruce Boston – Resonance Dark and Light (Eldritch Press)
• Alessandro Manzetti – Eden Underground (Crystal Lake Publishing)
• Ann Schwader – Dark Energies (P’rea Press)
• Marge Simon – Naughty Ladies (Eldritch Press)
• Stephanie M. Wytovich – An Exorcism of Angels (Raw Dog Screaming Press)

The awards will be handed out during the inaugural StokerCon™ in Las Vegas, Nevada, on May 14, 2016. In addition, life-time achievement awards will be presented to George A. Romero and Alan Moore. For more information, please visit the Horror Writers Association website.

Congratulations to all of the nominees!

Award-Winning Horror Films

Now that this year's Academy Awards show has aired, I thought it might be interesting to look back at horror/suspense films that were nominated for or won Oscars. Maybe you'll spot some of your favorites.

Here goes:

Rosemary's Baby - Mia Farrow won the best supporting actress award;

The Exorcist - This movie was nominated for nine awards and was the first horror movie to be nominated for best picture. It won awards for best sound and best screenplay;

Jaws - This Spielberg movie was nominated in various categories, including best picture, and won for best editing, best score, and best sound;

Aliens - This movie, one of the all-time great science fiction films, won for best visual effects and best sound editing;

The Silence of the Lambs - This movie has the distinction of being the first and only horror/suspense movie to win the Oscar for best picture (as well as a slew of other awards);

Jurassic Park - This ground-breaking movie won Oscars for best sound effects' editing, best sound, and best visual effects.

To see other films of this genre that received a nod from the Academy, please visit http://horror.about.com/od/horrorthem....

(Reprinted from an earlier blog post.)

Horror Movies Inspired by Real Life

There's an interesting online article about movies, complete with trailers, inspired by real-life events. Some of them I had already heard of. For example, Child's Play was inspired by Robert the Doll, and The Conjuring was based on Annabelle the doll. I've featured both Robert and Annabelle in previous posts. I knew that Psycho was based loosely on convicted killer Ed Gein, but I was not aware of Wes Craven's inspiration for A Nightmare on Elm Street.

If you'd like to check out the article, you'll find the background stories very intriguing.

A Break from the Winter Doldrums

HorrorHound Magazine is hosting a horror convention from March 18-20, 2016, in Cincinnati, Ohio, at the Sharonville Convention Center. 

Events will include film reunion panels, demos, concerts, stage events, and film screenings. Among the scheduled guests are Scott Wilson, previously of The Walking Dead, and John Noble of Fringe and Sleepy Hollow fame, as well as Danny Lloyd of The Shining (boy, does that ever take me back!). Cassandra Peterson will also be there as Elvira.

As part of the festivities, there will be a tattoo pavilion with renowned artists from around the world.

 

For further information on obtaining tickets and submitting films, please see theHorrorHound Weekend website.

The Walking Dead Returns on February 14

Photo courtesyThe Walking Dead wiki

If you're not really into chocolates, teddy bears, or expensive diamonds as gifts for Valentine's Day, take heart (no pun intended): Part 2 of Season 6 of The Walking Dead will return on this date.

A quick look back at the first part of the season--After being jerked around, Glenn (Steven Yeun) fans can breathe a sigh of relief that, yes, he did manage to crawl under the dumpster and is still alive!

And where the heck is Darryl (Norman Reedus)? He's been almost invisible in Part 1 of the season.

 Never fear. As one of the most popular characters in The Walking Dead, we can expect him back in a more fulsome role in Part 2. 

Robert Kirkman, comic book creator and executive producer of The Walking Dead, offers a semi-literate explanation of why he likes to kill off characters in the show:

I like to say, ‘people gotsta die,’ because you want people to—you never want to lose that…if you go too long a period with characters surviving and being safe, you lose that element of, ‘Oh my god any of these characters can go at any moment'...

 To see what's ahead for Part 2, visit http://www.inquisitr.com/2770709/the-walking-dead-season-6b-releases-new-2-minute-video-watch/.

The Salem Witch Trials Revisited

Like many others, I've always been fascinated by the history of witch trials. I'd read two previous books on the Salem trials,  In the Devil's Snare by Mary Beth Norton and A Delusion of Satan by Frances Hill, and I found them to be informative and well-written. I was therefore pleased to see that a new book had been published in October 2015, The Witches: Salem, 1692 by Stacy Schiff, a Pulitzer Prize winning author.

 Unfortunately the book has garnered a number of negative reviews, primarily because of its dense narrative style. Ms. Schiff uses extremely long sentences that are often interrupted by parentheses or dashes, forcing you sometimes to re-read them to understand the point the author is making. Moreover, there is no real sense of cohesion in the book, with the author frequently reprising earlier events.

Having said  this, I plan to finish the book, which I'm now halfway through, because I'm enjoying learning more about the trials. It's interesting to know, for example, that prior to the events in Salem, only twenty-five per cent of New England witch trials ended in conviction. That's probably the reason why those who were first accused thought that common sense would prevail and they would be acquitted of the charges.

I've also learned that details of witch trials in Sweden, recorded in contemporary sources available to New Englanders, were often reproduced in the colorful accounts given by the Salem "victims". The accusers in the Swedish trials were children, who later said they had been lying.

What Ms. Schiff does very well in the book is to recreate the chaos of the court proceedings as the young women writh in agony on the floor and accuse the defendants of pinching and biting them even though, as the author points out, some of the accused did not have teeth. The reader can feel the hopelessness and despair of the accused and the horror of their imprisonment in squalid conditions, wearing chains weighing eight pounds. Those of the accused who tried to point out that the victims writhing on the floor might be  "dissembling" were among the first to be hanged. It was a sin, after all, to deny the existence of witches because this was an essential component of everyday life. As Schiff indicates, the element of causality was very strong: if the crops failed or an animal died, there was witchcraft behind it. Otherwise, how else did you make sense of the world? Ironically, the majority of those defendants who admitted to witchcraft were spared from death, and it seems that the more fantastical their confessions were, the more likely they were to be believed.

So if you are interested in learning more about the Salem trials and have a great deal of patience, I think you will enjoy Schiff's book. But remember that this is a carefully researched, textual account of the Salem witch trials. You will need to go to popular fiction if you want to be entertained.